What is essential in a work of art is that it should rise far above the realm of personal life and speak to the spirit and heart of the poet as man to the spirit and heart of mankind.
艺术作品应当超越个人生活的天地、直面诗人的精神与内心深处，如同人直面人类的精神与内心。
It is, moreover, only in the state of complete abandonment and loneliness that we experience the helpful powers of our own natures.
而且，只有在完全的听天由命和孤独状态，我们才能体验到我们自身天性的积极力量。
In some way or other we are part of a single,
all-embracing psyche, a single "greatest man".
在某种意义上，我们从属于一个涵盖一切的单一心灵、从属于一个单一的“总体人”。
What is stirred in us is that faraway
background, those immemorial patterns of the human mind, which we have not acquired but have inherited from the dim ages of the past.
在我们的内心深处被唤起的，就是那个久远的背景——古老的人类心理模式，它们源于遗传而非后天习得，我们从业已模糊的往日世代继承了它们。
Life has always seemed to me like a plant that lives on its rhizome. Its true life is invisible, hidden in the rhizome. The part that appears above ground lasts only a single summer.?.?.?. What we see is the blossom, which passes. The rhizome remains.
我总是感到，生活就象萌发于地下根茎的植株。生活的真正生命是不可见的，它深藏于地下根茎中，而显露出地面的可见一斑部分只能生存一个夏季。我们所见到的是将会消逝的花簇，而根茎长驻。
At times I feel as if I am spread out over the landscape and inside things, and am myself living in every tree, in the plashing of the waves, in the clouds and the animals that come and go, in the procession of the seasons.
有时我会感到，我伸展开来覆盖大地、延伸进万物：我感到自己生活在每一棵树木中、生活在浪花中、生活在往来无定的云朵和动物中、生活在季节的轮回中。
Knowledge does not enrich us; it removes us more and more from the mythic world in which we were once at home by right of birth.
知识不会使我们更丰富；它使我们越来越远离神秘世界——这个我们曾经的天然家园。